Music and German national identity

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Music and German national identity : ed. by Celia Applegate and Pamela Potter

Opis bibliograficzny
Kolejni autorzy:	Applegate, Celia (Redaktor), Potter, Pamela (Redaktor)
Format:	Książka
Język:	English
Wydane:	Chicago ; London : Univ. of Chicago Press, 2002
Zapisy:	16 zapisów
Dostęp online:	Inhaltsverzeichnis

1. Wagner's 'Die Meistersinger' as national opera (1868-1945)

2. Ethnicity and musical identity in the Czech lands : a group of vignettes

3. Darmstadt, postwar experimentation, and the West German search für a new musical identity

4. Postwar Germany popular music : americanization, the Cold War, and the Post-Nazi 'Heimat'

5. American jazz in the German Cold War

6. "Is that not something for 'Simplicissimus'?!" : the belief in musical superiority

7. Einheit-Freiheit-Vaterland : intimations of utopia in Robert Schumann's late Choral Music

8. Hosanna or "Hilf, O Herr uns" : national identity of the German Christian movement, and the "Dejudaization" of sacred music in the Third Reich

9. Culture, society, and politics in the cosmo of "Hans Pfitzner the German"

10. 'Kein schöner Land' : the Spielschar Ekkehard and the struggle to define German national identity in the Weimar Republic

11. "Für eine neue deutsche Nationaloper" : opera in the discourses of unification and legitimation in the German Democratic Republic

12. On the history of "Deutschlandlied"

13. Landscape-region-nation-Reich : German folk song in the nexus of German identity

14. Germans as the "people of music" : genealogy of an identity

15. National and universal : Thomas Mann and the paradox of "German" music

16. Reconstructing ideal types of the "German" in music