The impact of nazism on twentieth-century music

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The impact of nazism on twentieth-century music : ed. by Erik Levi

Sonraí bibleagrafaíochta
Rannpháirtithe:	Levi, Erik (Eagarthóir)
Formáid:	LEABHAR
Teanga:	English
Foilsithe / Cruthaithe:	Wien ; Köln ; Weimar : Böhlau, 2014
Sraith:	Exil.arte-Schriften 3
Ábhair/píosaí:	17 taifead
Rochtain ar líne:	Inhaltsverzeichnis Inhaltstext

1. Nazism, anti-Semitism and music in the Second Republic Spain (1931-1936)

2. 'Problematic tendencies' : émigré composers in London, 1933-1945

3. The musical policies of the Third Reich in relation to the first years of Francoism (1938-1943)

4. Karl Weigl's final years, 1938-1949 : a story of perseverance

5. Nazi censorship in music, Warsaw 1941

6. 'Some of the Jewish musicians are back at their desks' : a case study in the remigration of European musicians after World War II

7. The abyss and the berries

8. 'Olden melodies return' : memory in Joseph Achron's 'Hebrew Melody'

9. Paul Hirsch and Alfred Einstein : the trials and tribulations of collaboration in exile

10. Defining 'Jewish music' in Nazi Germany : Handel and the Berlin Jewish Culture League

11. What is internal exile in music? : the case of Walter Braunfels, Heinz Tiessen, Eduard Erdmann and Philipp Jarnach

12. Music as memory : émigré composers in Britain and their wartime experiences

13. The transformation of Viktor Ullmann's compositional language

14. Hispanic-German music festivals during the Second World War

15. Hanns Eisler's 'Hollywooder Liederbuch' and 'the new stuff to life'

16. From Surabaya to Ellis Island : on two versions of Kurt Weill's 'Surabaya-Johhny'

17. Swearing an oath : Korngold, film, and the sound of resistance?