Orientalism, Gender, and the Jews : Literary and Artistic Transformations of European National Discourses

क्यूआर कोड

Orientalism, Gender, and the Jews : Literary and Artistic Transformations of European National Discourses

अन्य संस्करण दिखाएं (1)

ग्रंथसूची विवरण
अन्य लेखक:	Brunotte, Ulrike (संपादक), Ludewig, Anna-Dorothea (संपादक), Stähler, Axel (संपादक)
स्वरूप:	पुस्तक
भाषा:	English
प्रकाशित:	Berlin [u.a.] : de Gruyter, 2015
श्रृंखला:	Europäisch-jüdische Studien : Beiträge 23
अंतर्वस्तु / टुकड़े:	15 अभिलेख

1. Prussians, Jews, Egyptians? : Berlin Jewish "Salonières" around 1800 and their guests ; discursive constructions of equality and otherness

2. Asians in Europe : reading German-Jewish history through a postcolonial lens

3. Veils in action : the "Oriental Other" and its performative deconstruction in modern fashion and art

4. "All Jews are womanly, but no women are Jews." : the "Femininity" game of deception: "Female Jew", "femme fatale Orientale", and "belle Juive"

5. Jewish drag : the Ostjude as anti-zionist hero in Arnold Zweig's "De Vriendt kehrt heim"

6. Kafka's "Schakale und Araber" and the question of genre

7. Orientalism, gender, and the Jews : literary and artistic transformations of European national discourses

8. Between orientalization and self-orientalization : remarks on the image of the "beautiful Jewess" in nineteenth- and early-twentieth-century European literature

9. Ephraim Moses Lilien : the figure of the "beautiful Jewess", the orient, the bible, and zionism

10. To see or not to see : the gaze and gender in the Jewish, Christian, and Muslim cultures

11. Zionism, colonialism, and the German empire : Herzl's gloves and Mbwapwa's umbrella

12. "Good to Think" : (re)conceptualizing German-Jewish orientalism

13. Re-orientalizing the Jew : zionist and contemporary Israeli masculinities

14. Desire, excess, and integration : orientalist fantasies, moral sentiments, and the place of Jews in German society as portrayed in films of the Weimar republic

15. Embodied protest : nakedness and the partition of gazes